![]() After a world tour in late 20, he returned with Ricochet in 2003. The following year he moved over to GRP, where he debuted with Crush. The label issued The Best of Richard Elliot in 2000. Elliot's 1999 effort, Chill Factor, proved to be his final studio album for Blue Note. His 1993 album, Soul Embrace, rocketed to the top of the Billboard contemporary jazz charts. Two albums he had recorded for the now-defunct Enigma label were re-released on Capitol. When he's not playing his over 100 dates a year, Elliot pilots a small aircraft he was also a partner in PacificNet, an Internet multimedia company that developed websites for the music and entertainment industries.nn As a solo artist, Elliot debuted with his self-produced City Speak (1996), followed by After Dark (1994), On the Town (1991), Power of Suggestion (1988), Take to the Skies (1989), Trolltown (1986), What's Inside (1990), and Initial Approach (1987), all for Blue Note/Capitol Records. ![]() He stayed with the group until 1987 and looks back fondly on those years, since they shaped the style he has today. After touring with Melissa Manchester for a time, he was asked to become a full-fledged member of the Tower of Power horns in 1982. Elliot was later tapped to record with the Yellowjackets on their second album. In the 1970s, he had the chance to record with Smokey Robinson, the Four Tops, and the Temptations. A few years later, he was tapped to record with some of his idols from Motown Records, which had relocated from Detroit to Los Angeles. ![]() Elliot landed his first job while still a teenager with Natalie Cole and the Pointer Sisters. The Scottish-born Elliot was raised in Los Angeles, where he quickly became a fan of classic West Coast R&B. For five years in the 1980s, he was a big part of the classic R&B band's horn-based sound. Although he's called a "smooth jazz" artist, saxophonist Richard Elliot is equally at home with most rock & roll and the kind of classic R&B performed by the group Tower of Power.
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